“A Good Man Is Hard To Find” by Flannery O’Connor is a chilling tale of a cold-blooded murder of a family. A good, old-fashioned, traditional American family sets out on a trip to Florida when it comes across the Misfit - an escaped convict. He appears with two younger men, all of them carrying guns. After exchanging some dialogue, the younger men take the family members into the woods to shoot them, and the Misfit shoots the grandmother three times in the chest. This all reads like a completely senseless event with cruelty and coldness of blood that seems to have no purpose. And it is true - sometimes no purpose exists for the evil that people commit. This makes up the main theme of the story: “Evil does not have to have a reason. It just happens.” It is possible to argue that the Misfit might not have killed the family if the grandmother had not recognized him. However, it sure looks like he would have done it anyway. The three men came out with guns, approached the family, and began ordering them around - all before the grandmother recognized the Misfit and gave away the recognition. Misfit’s last words about the old lady show that he hated her from the first moment. Her good nature angered him. So he shot her three times in the chest. No need for a motive. Senseless evil simply exists, roams about, and will kill without pleasure or guilt.
Thursday, October 30, 2014
A Good Man Is Hard To Find: Review
“A Good Man Is Hard To Find” by Flannery O’Connor is a chilling tale of a cold-blooded murder of a family. A good, old-fashioned, traditional American family sets out on a trip to Florida when it comes across the Misfit - an escaped convict. He appears with two younger men, all of them carrying guns. After exchanging some dialogue, the younger men take the family members into the woods to shoot them, and the Misfit shoots the grandmother three times in the chest. This all reads like a completely senseless event with cruelty and coldness of blood that seems to have no purpose. And it is true - sometimes no purpose exists for the evil that people commit. This makes up the main theme of the story: “Evil does not have to have a reason. It just happens.” It is possible to argue that the Misfit might not have killed the family if the grandmother had not recognized him. However, it sure looks like he would have done it anyway. The three men came out with guns, approached the family, and began ordering them around - all before the grandmother recognized the Misfit and gave away the recognition. Misfit’s last words about the old lady show that he hated her from the first moment. Her good nature angered him. So he shot her three times in the chest. No need for a motive. Senseless evil simply exists, roams about, and will kill without pleasure or guilt.
Thursday, October 23, 2014
A Hungry Artist
Franz Kafka’s “A Hunger Artist” is a very strange story about a man whose profession it was (or seemed to be) to simply starve. He was a sort of a freak in a freak show. He had an impresario, traveled all over Europe, and seemed to have a stable career. However, with time the attraction of starving faded away, and the man died in obscurity. Since the whole thriller value of the story hinges on the fact that the hunger artist really did not want to eat because he simply could not find a food he liked, it is very strange that he suffered because of the lack of recognition and appreciation. In reality, if not for his impresario, who forced food on the artist when 40 days were out, he would probably have died a long time ago. And yet, the artist craved recognition for being a professional starver. Perhaps Kafka’s point was that even the most pitiful man has vanity and will be miserable if he is not recognized for something. But there really was no accomplishment in the artist’s starvation. It was his normal way of life. In which case, the only explanation is that the hunger artist was proud of his natural aversion to food just like a beautiful woman would be proud of her natural beauty.
Thursday, October 16, 2014
“Young Goodman Brown” Review
Nathaniel Hawthorne dreamed up quite a story in Young Goodman Brown. The story, it seems, is written in dated language even for the author’s time. The aim was probably to evoke religious feeling by using very biblical language, that of King James. The story begins as if it would contain no elements of the supernatural. But it is an allegory. The main hero is a “good man,” and his wife - his “faith.” Can a good man lose his faith? He sure can, as all those saints-turned-devil-worshippers can attest. Can a man lose the dearest that he has - his love and his trust in God? Well, the moral of the story seems to be that if a man consciously considers signing a pact with a devil and goes past half-way to accomplish the deal, he is lost. Goodman Brown only sees his wife Faith in the forest after encountering numerous signs that he should turn back before it is too late. But about half-way through it becomes too late. Even though he never signs the deal or bows to the devil, he has gone too far, and there is no salvation for him, at least in his own conscience. He must perish spiritually, emotionally, and physically.
Thursday, October 9, 2014
The Purloined Letter: Review
Edgar Allan Poe’s “The Purloined Letter” offers a glimpse into the mind of a brilliant
man. Or does it? It can be a tedious read at times while the narrator, the narcissistic private
detective, ventures to explain every single bit of thinking that went on in his head as he was
figuring out the mystery of the letter’s location. It seems like he must use every bit of
information that he has ever learned from kindergarten to the higher education to not only solve
the mystery and procure the letter but also to tell the story in detail. Yes, the story is interesting.
But its quality lies not so much in the substance of the intellectual discourse (which, most likely,
belongs in a scientific report), but in the solving of the mystery itself. In other words, if not for
human curiosity, this short story might have had difficult time finding readership.
man. Or does it? It can be a tedious read at times while the narrator, the narcissistic private
detective, ventures to explain every single bit of thinking that went on in his head as he was
figuring out the mystery of the letter’s location. It seems like he must use every bit of
information that he has ever learned from kindergarten to the higher education to not only solve
the mystery and procure the letter but also to tell the story in detail. Yes, the story is interesting.
But its quality lies not so much in the substance of the intellectual discourse (which, most likely,
belongs in a scientific report), but in the solving of the mystery itself. In other words, if not for
human curiosity, this short story might have had difficult time finding readership.
Thursday, October 2, 2014
The Use of Force: Reviews
The story “The Use of Force” by Williams is a bit strange. After all, it is about a doctor, and what doctors do is they help people, they cure them. And this doctor is no different in that respect. In fact, he has enough knowledge and experience to know what the danger is and how to get a child to cooperate, which he does. If the child does not open her mouth and let the doctor examine her throat, she could die from diphtheria. The doctor knows what to do and does it to his best ability. However, when the little girl resists, the doctor’s primal side overpowers him. When the girl refuses to open her mouth under any circumstances, it comes time for a more involved solution. However, the doctor mentions that he did not have to resort to violence: “Perhaps I should have desisted and come back in an hour or more. No doubt it would have been better.” And then he adds, “But the worst of it was that I too had got beyond reason. I could have torn the child apart in my own fury and enjoyed it. It was a pleasure to attack her. My face was burning with it.” Now, first, he compares himself to the child by using the phrase “I too had got beyond reason.” The key word here is “too.” This grown man is no longer acting like an adult. Could it be that the child in the doctor sprang to life and engaged in a sort of a game children play when they can be quite violent, senseless, and cruel? Second, he enjoys it. How very human and primal at the same time. The doctor confesses further: “And all these things are true. But a blind fury, a feeling of adult shame, bred of a longing for muscular release are the operatives. One goes on to the end.” What is “longing for muscular release” here? The fight-or-flight reaction is probably described. This is an example of primal behavior in the highly evolved species. In the end, the girl’s true condition is discovered, but only at the price of reducing a grown adult male to a little aggressive boy.
Thursday, September 25, 2014
“Hills Like White Elephants”: Review
Hemingway’s
“Hills Like White Elephants” is a story about a dying love. Or, possibly about
a love that has died. What makes this story great is the realization it gives
the reader upon close reading (if done multiple times). This realization is
that communication between men and women (and probably between all humans
regardless of sex) happens on more than one level. Words only exist on the
surface. The deeper, real meaning is hidden beneath the simple words. That’s
why it is possible to claim that one character does not necessarily love
another even when he says he does. Take, for example, the following exchange:
"It
tastes like licorice," the girl said and put the glass down.
"That's
the way with everything."
"Yes,"
said the girl. "Everything tastes of licorice. Especially all the things
you've waited so long for, like absinthe."
"Oh,
cut it out."
These
people are discussing drinks, seemingly. But they are really discussing life,
especially their lives. So much is said here without resorting to real
accusations. In fact, the accusation put in the metaphorical form, they way the
main heroine does here, hurts the man even more. Why? Precisely because of its
ambiguity, but also because a complaint expressed this way sounds much more
global, more sinister, more hurtful. The man says that “everything” tastes like
licorice. This is a very global statement. It sounds not only like a
disappointment in some specific event, but disappointment with life itself.
And, in addition, the woman is to blame because, otherwise, why say something
like that in such a tone? The woman answers the attack by putting the blame on
the man, the blame for unfulfilled expectations. Thus, we see two people
speaking not in riddles, but in metaphorical language in order to hurt each
other without direct confrontation. Probably without realizing the seriousness
of what they are doing, they are actually engaging in rather aggressive
behavior. This love story is over.
Wednesday, September 17, 2014
The Yellow Wallpaper: Review
Charlotte Perkins Stetson’s short story “The Yellow Wall-Paper” is a story of the main heroine’s gradual descent into insanity. However, this story is not simply a psychological commentary or an attempt to figure out or describe the anatomy of going mad. This is rather a study of human relationships, especially the spousal, during the times when women depended on their husbands for their livelihood. In fact, the main theme of the story is probably entrapment. Jane is stuck in her husband’s reality the way that imaginary woman is stuck in between layers of pattern within the wallpaper. Jane tries to break out, but she does not have the physical or emotional power to do so. Her entrapment is not obvious at the first glance, because she and her husband seem to have a loving relationship. He is always trying to prevent her from succumbing to her unhealthy urges. And she is always agreeable in order not to upset him or feel guilty about being a nagging wife of a sort. In reality, he is quite obstinate and blind to the deterioration of his wife’s mental and emotional states. And she simply does not have enough mental or emotional stamina to stand up for herself. Besides, she must always fight the guilt of being an ingrate. And it looks like she has postpartum depression. It would be helpful to look deeper into the relationship and pretty much all of the dialogue between the spouses to see that the wallpaper really is not the culprit. The husband’s lack of understanding and the unwillingness to hear out and take her seriously finally take Jane’s sanity. She is another victim of marriage, much like the main heroine in “The Story of an Hour.”
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